Cotswolds AONB Hare Trail 2018

Cotswolds AONB Hare Trail
22nd May to 9th September 2018

Cotswold Hare Lygon Arms Broadway
‘Charles the First Hare to the Throne’ by Neil Helyard outside The Lygon Arms Hotel, Broadway, in 2017

Following a successful 2017 Cotswold Hare Trail which extended across the Cotswolds from Bristol to Broadway and Cheltenham to Woodstock with 80 large 5ft hares and 22 leverets on display, the 2018 Cotswolds AONB Hare Trail returns to the Cotswolds from 22nd May to 9th September.

The Trail, a premier public art trail across the Cotswolds, was set up in 2013 with the first Cirencester March Hare Festival taking place in 2014 celebrating Cirencester’s links with the famous Roman Hare Mosaic in the Corundum Museum.

Cotswold Hare Trail Broadway 2017
‘Mr Hedge-Springer’ by Sam Wilson on display in Cotswold Trading, High Street, Broadway, in 2017

The 2018  Trail is partnered with the Cotswolds Area of Outstanding Natural Beauty (AONB) and the Trail will branch out as far as Stratford-Upon-Avon to the Forest of Dean. The extended Trail will give many more the opportunity to marvel at the hares along a variety of routes designed for those travelling on foot, by car, on public transport or by bicycle.

Various artists are involved in decorating the hares, artists Neil Helyard and Sam Wilson painted two of the hares on display last year in Broadway and this year local Broadway artist, Doug Eyre, will be painting ‘Harvest Hare’ and one of the leverets (further details to follow).

The Trail is an exciting way to visit different parts of the Cotswolds and fun for the family. At the end of the September the hares will be sold by auction with the money raised going to support the Cotswolds Visitor Giving Scheme and Glorious Cotswold Grasslands.

 

 

 

 

 

 

John Singer Sargent RA

John Singer Sargent and Broadway

John Singer Sargent (1856-1925) was the most celebrated portrait painter of the Edwardian age. Although born in Florence, Italy, to expatriate American parents, Sargent has a number of links with Broadway and the Cotswolds.

Sargent’s talent was noticed and nurtured by Carolus-Duran who introduced him to the Parisian art scene. Sargent fled Paris in early 1885, after exhibiting Madame X, his sensual portrait of Mme Gautreau, a noted society beauty, which caused a great scandal.

Sargent travelled to England and paid his first visit to Broadway in the late summer of 1885 to recuperate from a bad head wound he had received whilst diving from a weir near Pangbourne. Sargent had been invited to Broadway by fellow American painter Edwin Austin Abbey. Whilst in Broadway, Sargent became a member of the American colony of artists, the ‘Broadway Colony’, who were living in the village at the time. Sargent socialised with fellow Americans artists and writers including Francis Davis Millet and it is in the gardens of Farnham House and Russell House on the village green where Millet was living at the time that Sargent painted Carnation, Lily, Lily, Rose the title lifted from the light-hearted lyrics of a popular song. The painting is a true example of Impressionist en plein air painting. It took numerous sunsets to complete and even during its conception provoked much discussion, amusement, involvement and encouragement from his circle of friends, the ‘Broadway Colony’.

Carnation, Lily, Lily, Rose was purchased for the nation and now hangs in the Tate in London. In his lifetime Sargent was elected a full member of the Royal Academy in 1897 and he painted over 500 portraits and more than 1000 landscapes along with celebrated murals at the Boston Public Library, the Museum of Fine Art and the Widener Memorial at Harvard.

The biennial Broadway Arts Festival celebrates Broadway’s artistic heritage. The 2018 Festival will take place in the village from 8th to 17th June 2018.

 

 

St Eadburgha’s Church and Francis Davis Millet (1846-1912)

The American artist Francis Davis Millet (Frank Millet) has connections with Broadway’s  St Eadburgha’s Church (a Grade 1 listed building dating back to Saxon times) located on the Snowshill Road, Broadway, about 3/4 mile south of the centre of the village opposite Coneygree Lane. The church is a lovely 10 minute stroll from our Cotswold holiday cottages at West End.

The present church of St Eadburgha’s dates back to Saxon times with late 12th century additions and several later additions. The church was subject to extensive repairs in 1866 and more recent repairs following severe flooding in July 2007 floods when the church was flooded by runoff from the Cotswold escarpment flowing down Coneygree Lane, across the Snowshill Road and into the church.

A few yards further along the Snowshill Road above the church is a wonderful lychgate built as a memorial to the American, Frank Millet.  Millet (Civil War soldier, painter, mural decorator, sculptor and writer) was born in Massachusetts on 3rd November 1846.  He spent many years of his life painting and living in Broadway with his wife and family firstly at Farnham House and later at Russell House near the village green.

Francis died in the sinking of RMS Titanic on 15th April 1912 on his way to New York from Rome having boarded the ship at Cherbourg. Millet who was travelling in 1st Class with his friend Major Archibald Willingham Butt (military aide to President William Howard Taft and President Theodore Roosevelt) was last seen helping women and children into the lifeboats. His body was later recovered from the sea by the crew of the cable ship MacKay Bennett and he is buried at East Bridgewater Central Cemetery, Massachusetts.

Millet’s paintings can be seen in the Metropolitan Museum of Art, New York, the Detroit Insitute of Art and the Tate Gallery, London.  Millet was the first director of the American Academy in Rome and his painting Between Two Fires painted c1892, which hangs in the Tate, was probably painted in the refectory of the 14th century Abbot’s Grange, Broadway.  Millet restored Abbot’s Grange from its monastic ruins and it became a studio for the artists’ colony in Broadway he helped create. The Broadway Colony included artists and writers such as John Singer Sargent, Alfred Parsons, Fred Barnard, Henry James, Edmund Gosse, Edwin Austin Abbey and the actress Mary Anderson (Mme de Navarro), to name just a few.

Sargent spent the summers of 1885 and 1886 with the Millet family at Farnham House and then Russell House. It was in these Broadway gardens that Sargent painted Carnation, Lily, Lily, Rose which now hangs in the Tate Gallery, London. Millet’s ink drawing  of Mr Sargent at work on Carnation, Lily, Lily, Rose is owned by the Smithsonian Institution, Washington DC.

The tribute to Millet on the lychgate reads:

‘FRANCISCO DAVIS MILLET VIRO IN ARTIBVS LITTERISQVE PRAESTANTI QVI NAVI TITANICA FRACTA DVM SPEM TIMIDIS AFFERT MORTEM LAE TVS OPPETIVIT HOC MONVMENTVM SVAVIS AMICITIAE MEMORES SODALES PONENDVM CVRAVERVNT’

which roughly translated reads:

‘In tribute to Francis Millet a man of excellence in the Arts and Literature. He met his death with fortitude as the ship Titanic sank whilst still giving hope to those who feared for their lives. His dear friends sought the dedication of this memorial in fond memory of his treasured fellowship.’